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mssv (Mike Baggetta, Stephen Hodges, Mike Watt) w. Aspero Saicos

  • The Monkey House 30 Main Street Winooski, VT, 05404 United States (map)

photo by Tina Mead.

Waking Windows presents
mssv
(Mike Baggetta, Stephen Hodges, Mike Watt)
Haru Tour 2022
Wednesday - April 6th, 2022
Doors 8:00 pm / Show 8:30pm
$18 Adv / $20 Dos
18+

The post-genre power trio featuring guitarist Mike Baggetta, bassist Mike Watt (Minutemen, Stooges), and drummer Stephen Hodges (Tom Waits, Mavis Staples).

** Effective immediately, we will be requiring proof of vaccination for all of our shows/events (physical copy of vax card or photo of vax card). If you are not vaccinated and want to attend a show. Please show a negative COVID test within 72 hours and you must wear a mask. **

mssv

(Mike Baggetta, Stephen Hodges, Mike Watt)

No less an authority than Nels Cline, the high priest of art-rock guitarists, has called Mike Baggetta a “guitar poet.” That poetry, alternately gnarled and flowing, is on fine display in Main Steam Stop Valve, the second album by (and the decompressed namesake of) mssv, an experimental rock trio featuring Baggetta, the legendary punk bassist Mike Watt, and the versatile drummer Stephen Hodges.

The collaboration began when Watt, of The Minutemen fame, joined Baggetta and seasoned session drummer Jim Keltner to record an improvised jazz-rock album called Wall of Flowers, an eight-track romp from pastoral splendor to urban din and back again. When Keltner declined to tour, they brought in Hodges, whose credits as a player include Mavis Staples, Tom Waits, and David Lynch, not to mention Contemplating the Engine Room with Watt.

Solidified as mssv—some heretofore unimagined hybrid of a punky power trio and a dreamy experimental rock band—they released Main Steam Stop Valve, which blends industrial vigor and impressionistic languor into a lingering impression of “pressure, combustion, power, and hissing clouds of sonic poetry,” as Premier Guitar said. From the throttled surf guitar of “The Mystery Of” and the glimmering post-rock of “Every Growing Thing” to groovy, songful numbers like “Old Crow,” there’s no telling which way the band will turn at any given moment, a proposition that becomes a promise when they break down and reassemble these songs live, with an instinct for restraint and an openness to anarchy.

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“…vintage twang in service of Americana-meets exploratory Jazz-psych…”

- Rolling Stone

“The chemistry is palpable, the vibe is loose, and the songs are all worlds unto themselves.”

- Aquarium Drunkard

“...stealthy, mysterious music…”

- New York Times

"…full of subversive surprises, hellacious skronking, string-scraping and a general hornets’ nest of fuzz-toned dissonance.”

- Slate Magazine

“Mike Baggetta is a genre-blurring guitar hero…at the forefront of an army of guitar innovators”

-JazzTimes